1. ArchDaily
  2. Africa

Africa: The Latest Architecture and News

Building Africa: The State of Things

Matri-Archi(tecture) prepositions an exhibition in Johannesburg, titled ‘Building Africa: The State of Things!. The exhibition asks what it means to restore, preserve, foreground, call upon, remember and project former and future conditions of socio-political identity through the architecture of buildings that were once central figures in the political agenda of South Africa. The exhibition foregrounds research about the Constitutional Court and Union Buildings.

The Landscapes of the Black Atlantic World

The institution of slavery shaped landscapes on both sides of the Atlantic Ocean. And in turn enslaved and free Africans and their descendants created new landscapes in the United States, the Caribbean, and Sub-Saharan Africa. African people had their own intimate relationships with the land, which enabled them to carve out their own agency and culture.

At Dumbarton Oaks in Washington, D.C., a symposium — Environmental Histories of the Black Atlantic World: Landscape Histories of the African Diaspora — organized by N. D. B. Connolly, a professor at Johns Hopkins University, and Oscar de la Torre, a professor at the University of North Carolina at Charlotte, sought to highlight those forgotten relationships between people and their environment.

The Landscapes of the Black Atlantic World - Image 1 of 4The Landscapes of the Black Atlantic World - Image 2 of 4The Landscapes of the Black Atlantic World - Image 3 of 4The Landscapes of the Black Atlantic World - Image 4 of 4The Landscapes of the Black Atlantic World - More Images

The Legacy of Modernist Architecture in Tanzania: Anthony Almeida and Beda Amuli

The legacy of the Modernist movement is a complicated one. Spanning a diverse assortment of fiercely debated sub-categories and styles, the Modernist style has established its presence in virtually every continent. Although the movement’s origins may be rooted in Europe and the U.S., outside of the Eurocentric canon architects have redefined and re-established the definition of a “Modernist” building. In Sri Lanka, for example, architect Geoffrey Bawa’s sensitive, nature-inspired architectural responses gave rise to the “Tropical Modernism” label. Over in the African continent, it is in the East-African country of Tanzania that some highly unique examples of Modernist architecture are found – headed by architects Anthony Almeida and Beda Amuli.

The Legacy of Modernist Architecture in Tanzania: Anthony Almeida and Beda Amuli - Image 1 of 4The Legacy of Modernist Architecture in Tanzania: Anthony Almeida and Beda Amuli - Image 2 of 4The Legacy of Modernist Architecture in Tanzania: Anthony Almeida and Beda Amuli - Image 3 of 4The Legacy of Modernist Architecture in Tanzania: Anthony Almeida and Beda Amuli - Image 4 of 4The Legacy of Modernist Architecture in Tanzania: Anthony Almeida and Beda Amuli - More Images+ 12

Atelier Masōmī Designs the Ellen Johnson Sirleaf Presidential Center for Women and Development in Liberia

Atelier Masōmī has just revealed its design for The Ellen Johnson Sirleaf Presidential Center for Women and Development (EJS Center). President Ellen Johnson Sirleaf chose an all-female team to work on the project with lead architect Mariam Issoufou Kamara of Atelier Masōmī, exhibition's architect Sumayya Vally of Counterspace, and the local architect Liberian architect Karen Richards Barnes. The EJS Center, located in Liberia’s capital Monrovia, will provide digital access to former President Ellen Johnson Sirleaf’s personal and professional archives.

Atelier Masōmī Designs the Ellen Johnson Sirleaf Presidential Center for Women and Development in Liberia - Image 1 of 4Atelier Masōmī Designs the Ellen Johnson Sirleaf Presidential Center for Women and Development in Liberia - Image 2 of 4Atelier Masōmī Designs the Ellen Johnson Sirleaf Presidential Center for Women and Development in Liberia - Image 3 of 4Atelier Masōmī Designs the Ellen Johnson Sirleaf Presidential Center for Women and Development in Liberia - Image 4 of 4Atelier Masōmī Designs the Ellen Johnson Sirleaf Presidential Center for Women and Development in Liberia - More Images

Color, Composition, and Scale: Analyzing Brutalist Photography

Sometimes sculptural and expressive, sometimes monolithic and monotonous, the Brutalist architectural style is equal parts diverse and divisive. From its origins as a by-product of the Modernism movement in the 1950s to today, Brutalist buildings, in architectural discourse, remain a popular point of discussion. A likely reason for this endurance is — with their raw concrete textures and dramatic shadows, brutalist buildings commonly photograph really well.

Color, Composition, and Scale: Analyzing Brutalist Photography - Image 1 of 4Color, Composition, and Scale: Analyzing Brutalist Photography - Image 2 of 4Color, Composition, and Scale: Analyzing Brutalist Photography - Image 3 of 4Color, Composition, and Scale: Analyzing Brutalist Photography - Image 4 of 4Color, Composition, and Scale: Analyzing Brutalist Photography - More Images+ 17

The Architectural Identity of the State House

Known as the state house, the presidential palace, and an assortment of other terms — the building that hosts a country’s seat of government is usually quite architecturally striking. Frequently opulent, grand, and sometimes imposing, the state house is intended to function as a visually distinct marker of a nation — an extension of a state’s identity. In the African continent, a landmass that had seen a significant part of it colonized by European nations, this identity of statehood, in an architectural sense, is complex.

The Architectural Identity of the State House - Image 1 of 4The Architectural Identity of the State House - Image 2 of 4The Architectural Identity of the State House - Image 3 of 4The Architectural Identity of the State House - Image 4 of 4The Architectural Identity of the State House - More Images+ 4

2023 Venice Architecture Biennale: 63 National Pavilions and 89 Participants with Significant Representation from Africa

Announced today in a live presentation, the 18th International Architecture Exhibition, titled The Laboratory of the Future, curated by Lesley Lokko, will be open to the public from May 20 to November 26, 2023, in Venice, Italy. This edition will include 63 National Pavilions, 27 of which are at the Giardini, 22 at the Arsenale, and 14 in the city center of Venice. Structured in six parts, the exhibition will include 89 Participants, over half of whom are from Africa or the African Diaspora, with a 50/50 gender balance, and an average age of 43 for participants. Contributors include Adjaye Associates, atelier masōmī, Kéré Architecture, MASS Design Group, Sumayya Vally and Moad Musbahi, Theaster Gates Studio, Andrés Jaque / Office for Political Innovation, Liam Young, Neri&Hu Design and Research Office, to name a few.

2023 Venice Architecture Biennale: 63 National Pavilions and 89 Participants with Significant Representation from Africa - Image 1 of 42023 Venice Architecture Biennale: 63 National Pavilions and 89 Participants with Significant Representation from Africa - Image 2 of 42023 Venice Architecture Biennale: 63 National Pavilions and 89 Participants with Significant Representation from Africa - Image 3 of 42023 Venice Architecture Biennale: 63 National Pavilions and 89 Participants with Significant Representation from Africa - Image 4 of 42023 Venice Architecture Biennale: 63 National Pavilions and 89 Participants with Significant Representation from Africa - More Images+ 8

It’s Time for Africa to Chart Its Own Climate Change Agenda

This article was originally published on Common Edge.

Last November, the annual climate conference COP 27 came to a close in Sharm el-Sheikh with a tentative agreement, reached at the last moment, to set up a “loss and damage” climate fund for Africa and other developing countries. For Africans, this was cause for muted celebration, because for generations the continent has built its climate change agenda almost exclusively around the pursuit of climate justice, a desire to enforce liability on the industrialized nations responsible for the bulk of global carbon emissions. All of this has unfolded, in a sort of willful blindness, while a majority of Africans struggled with the most prosaic challenges: inefficient urban sanitation; poor stormwater management; a paucity of water, sanitation, and hygiene facilities; willful and unabated deforestation; and environmental degradation.