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North America: The Latest Architecture and News

What Primitive Huts Teach Us About Architecture

This article was originally published on Common Edge.

Origin myths,” “founding myths,” and “creation legends” provide a way for us to see into and imagine the distant past in metaphorical, poetic, and compelling ways. The oldest origin myths help us understand how a people or a place (such as the universe) were believed to have come into existence. Anthropologists describe these as creation myths or “cosmogonic” myths. They might explain how the world came to be. For example, Native North American peoples such as the Cherokee, Ojibwe, and Aztecs share an origin myth that land was first created on top of a great ocean. One of the most common Western origin myths is the creation of Adam and Eve. But founding stories exist for all kinds of social conditions, historical customs, and objects, as well as places—think of the myth of the brothers Romulus and Remus, suckled as babies by a wolf, who survive to found the city of Rome (after Romulus got rid of his brother).

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BIG Releases First Photographs of The Vancouver House and Telus Sky in Canada

BIG – Bjarke Ingels Group has released a photo series of the Vancouver House and the Telus Sky towers, captured for the first time since their opening in 2020 during the pandemic. In a sort of "yin and yang," both skyscrapers are shaped by a curvilinear silhouette that involves the surrounding like a giant curtain revealing the building to the skyline.

The 220-meter-tall Telus Sky tower, and the 149 meters high Vancouver House, accommodate mixed-use offices and residential spaces, with connections to cycling and pedestrian pathways in their platforms. Moreover, both hold the highest level of Energy and Environmental Design. Vancouver House is the city's first LEED Platinum building, and TELUS in Calgary now occupies the largest LEED Platinum footprint in North America, with 70,725 square meters.

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Icon Architects Designs North America's Tallest Timber Building in Toronto, Canada

Icon Architects unveiled the design of a 90 meters tall timber tower in Toronto, Canada, which would become, once completed, North America's tallest building made of wood. Named the "191-199 College Street," the project is aligned with the master plan led by Alison Brooks Architects, Adjaye Associates, Henning Larsen, and SLA to develop Toronto's Waterfront that seeks to turn the Canadian city into a hub of affordable housing, robust public spaces, and new business opportunities. The construction of the CLT tower will cut over 3,300 metric tons of greenhouse gas emissions and accommodate around 400 affordable rental units.

The Future of American Design Is Reinvention, Reuse, and Renewal

Reinvention is one of the founding myths of the United States of America. For those lucky enough to come here on the decks of ships rather than chained in the hold, this country offered a chance to be someone else, somewhere else. For them and generations of immigrants who followed, America seemed to put a safe distance between their pasts and a boundless future.

But the illusion was eventually flipped on its head. Around the turn of the millennium, reinvention was a prevailing theme for movie characters intent on getting out of small-town America; in architecture, that sentiment took the form of building dream cities anywhere but here. In Dubai and Shanghai our brightest design minds conjured up hermetically sealed towers, malls, and museums largely disconnected from history, community, and climate.

The Mies Crown Hall Americas Prize Announces 2022 MCHAP Outstanding Projects

The Mies Crown Hall Americas Prize (MCHAP) announced the 48 outstanding projects selected by the MCHAP 2022 jury. From the body of nominated projects, the jury elected 38 entries in MCHAP as outstanding among other submissions. The fourth prize cycle considers built works completed in the Americas between January 2018 to December 2021, nominated by an anonymous network of international experts and professionals.

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The Mies Crown Hall Americas Prize Announces Nominated Projects and Jury for its 2022 Cycle

Mies Crown Hall Americas Prize announced the full list of jurors for its fourth edition, chaired by Sandra Barclay of Barclay and Crousse Architecture, and just released the nominated projects comprising 200 built works in North and South America, for MCHAP 2022 and 50 projects for MCHAP.emerge 2022.

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Gabled Roofs Experience a Revival Across North America

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Nova Scotia–based MacKay-Lyons Sweetapple Architects has built several steel-clad gabled houses like the East Dover House, shown here, because the material blends in with cliffside landscapes, rusts to fit geology, and needs zero maintenance.. Image Courtesy of James Brittain Photography

In this week's piece by Metropolis, author Kelly Beamon explores in her original article "the patriotism associated with pitched roofs and shares how architects are reimagining this staple of suburban house styles". According to its definition, a gable roof is a classic roof shape, usually in cold or temperate climates, consisting of two roof sections sloping in opposite directions and placed such that the highest, horizontal edges meet to form the roof ridge. Emblematic of the US, this article discusses its return to the urban fabric.

Discover 6 Talented Young Architects + Designers Awarded by the Architectural League

The Architectural League of New York has announced the winners of the 2020 Architectural League Prize for Young Architects + Designers. Focusing on fresh talent, North America’s most prestigious award encourages the development of distinctive individuals and underlines their work.

North America’s Tallest Living Green Wall Coming to Texas

The Rastegar Property Company has announced plans to develop the tallest living wall in North America as part of a 26-story tower in Dallas. The building aims to improve local air quality with over 40,000 plants estimated to capture over 1,600 pounds of carbon dioxide and produce 1,200 pounds of oxygen annually. The development will be located across the street from the Union mixed-use complex.

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Many Feared Dead or Trapped After Earthquake Topples Buildings Throughout Mexico

Following the devastating earthquake measuring 7.1 in magnitude that struck Mexico yesterday at 13:14 local time, many—over 200 people at the time of writing—are feared either dead or trapped in collapsed buildings or unsafe structures. While rescue efforts continue and information surrounding the scope of devastation is preliminary, schools are closed indefinitely and major companies and organizations have requested their employees not to work.

The death toll continues to rise while ArchDaily México, which is located in Mexico City, reports wide-reaching destruction of the built fabric of the capital. Footage captured by terrified residents show the final moments of buildings—many taller than four stories—that were reduced to dust and debris in seconds.

10th Annual North American Copper in Architecture Awards Showcase 15 Innovative Copper Designs

With a combination of resilience, sustainability, and pleasing aesthetics, the use of copper in architectural design is often indicative of a building’s craft and attention to detail, as demonstrated by fifteen projects selected as recipients for the 2017 North American Copper in Architecture Awards (NACIA). The 10th edition of the annual awards celebrates a variety of projects throughout North America for their “outstanding use of architectural copper and copper alloys.” Projects were selected across three categories: New Construction, Renovation/Restoration, and Ornamental Applications.

Here are this year’s fifteen NACIA winners:

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These Maps Show Why It's a Bad Idea To Make Things Up

It's difficult to imagine an uncharted world. Today, GPS and satellite maps guide us around cities both familiar and new, while scanning and mapping techniques are gradually drawing the last air of mystery away our planet's remaining unexplored territories. At one time, however, cartography was based on little more than anecdotal evidence and a series of educated guesses. But map-making in the 16th and 17th Centuries was an art nonetheless, even if these examples testify to the fact that just because you're missing important facts, total fabrication may not be the best way forward.

Inaugural Chicago Architecture Biennial Closes with Over Half a Million Visitors

The first ever Chicago Architecture Biennial closed January 3, with over half a million visitors having attended the event. An architecture exhibition of unprecedented size on the continent, the Biennial gathered 93 projects from 120 offices from over 30 countries to discuss the “State of the Art of Architecture.” We take a look at some of the Biennial's highlights after the break.

12 Projects Win North American Copper in Architecture Awards

The Copper Development Association (CDA) has announced its selections for the 2015 North American Copper in Architecture Awards (NACIA), now in their eighth year. The awards celebrate stellar projects that incorporate copper in their designs. The 12 award-winning works span three categories and include educational, residential and healthcare buildings in addition to historic landmarks.

Winners were selected by a panel of industry professionals based on their overall design, incorporation and treatment of copper, and distinction in either innovation or historic restoration. 

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Lateral Office's 2014 Venice Biennale 'Arctic Adaptations' Exhibition To Tour Canada

Lateral Office's Arctic Adaptations exhibition, which was recognised with a Special Mention at the 2014 Venice Biennale, will travel make its debut in Canada at the Winnipeg Art Gallery this week before heading to Whitehouse, Vancouver, and Calgary. The exhibition "surveys a century of Arctic architecture, an urbanising present, and a projective near future of adaptive architecture in Nunavut" though interactive models, photography, and topographical maps of the twenty five communities of the area, as well as Inuit carvers’ scale models of some of the most recognised buildings in the territory. In addition, it proposes a future of adaptive and responsive architecture for Canada's northern territories.

The Canadian Museum for Human Rights: "Failed Memorial and White Elephant"?

In an article for The Walrus, Adele Weder examines Antoine Predock's (who was recently made a National Academy Academician) Canadian Museum for Human Rights: a "colossal, twelve-storey mountain of concrete and stone, 120,000 square feet of tempered glass, and 260,000 square feet of floor space." Early advocates of the museum "felt that Winnipeg was ripe for such a statement piece," just as Bilbao had been for the Guggenheim. Welder's explorations are clear and concise, finding all sorts "of paradoxes swirling around the Museum for Human Rights." Noting that "it’s definitely a kick-ass building, with its aggressive outer form, jagged paths inside, big black slabs of basalt, thick sheets of glass, and the huge metal girders that hold it all together," Weder argues that it's position as a "failed memorial and white elephant" may be it's eventual undoing.

VIDEO: What We Can Learn From Tall Buildings

What do you think the North American, Asian and Western European tall building communities most need to learn from each other? This is precisely what the Center on Tall Buildings and Urban Habitat (CTBUH) sat down to ask five leading architects, whose responses formed an eclectic and meaningful overview on the state of tall building worldwide. As Rem Koolhaas noted, each region has their own journey that is worth understanding, such as the Arab world’s transition from “extravagance to rationality” or Asia’s hyper-focus on project realization. But, as James Goettsch points out, “not every building has to be something remarkable." It’s alright for some buildings to be nothing more than “good citizens.”

United North America / Holm Architecture Office

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USA - Canada border, Jens Holm, Holm Architecture Office (HAO) in collaboration with Harold Gainer, Neurolapse.