Mario Cucinella Architects has unveiled the design for the new Piazza dei Navigatori in Rome, Italy. Planned as a mixed-use development, the design is predominantly for residential spaces, with a retail and office component, parking, and "plant rooms". The development is located in an area rich in natural elements, which heavily inspires this urban agglomeration.
This article was originally published on Common Edge.
In 2018, the Roman neighborhood of San Lorenzo hit the headlines when a young girl was found dead in a derelict building. The media focused on the area’s decline, ignoring its long political and cultural history. Known as a “red” territory, San Lorenzo was one of the few districts to resist Mussolini’s 1922 March on Rome. Built in the late 19th century to house a working-class population of artisans as well as rail and factory workers, there’s a gritty feel to the neighborhood, defined by remnants of its industrial past and buildings that still bear the scars of Allied bombing in World War II. This small, centrally located neighborhood is wedged between Termini, the main train station, Verano, the monumental cemetery opened in 1812, and the Città Universitaria La Sapienza (La Sapienza University).
Through the “Search History” exhibition at MAXXI Museum in Rome, Lara Lesmes and Fredrik Hellberg, directors of the architecture and art studio Space Popular, set out to explore the work of Also Rossi and to translate his notions of “urban fact” and “analogous city” to the virtual realm. The installation is a reflection on the proliferation of metaverse platforms and the concept of virtual urbanism. The exhibition is part of the fifth edition of Studio Visit, a partnership between Alcantara and the MAXXI Museo nazionale delle arti del XXI secolo, which challenges designers to put forward a personal reinterpretation of the works of the masters in the MAXXI Architecture Collections.
This article was originally published on Common Edge.
On first impression, Quarticciolo is a handsome district in Rome. A human-scaled public housing complex comprising red and yellow midrise buildings arranged around internal courtyards and gardens. Designed by architect Roberto Nicolini during the Fascist regime, this village feel isn’t found in the massive postwar residential schemes elsewhere in the capital. Like other rationalist architects, Nicolini was inspired by the ancient city. Basing the layout on a classical orthogonal grid pattern, he allowed just one tall structure, the Casa del Fascio (the Fascist party headquarters), a fortress tower that looms over the main square. Most of the buildings were constructed between 1938 and 1943 to house a working-class population that was forcibly moved from Rome’s historic center to the outskirts to make way for Mussolini’s grand public works.
In line with the United Nations agenda of climate neutrality by 2050, the Rome City Council has announced the establishment of a Laboratory titled “Laboratorio Roma050 – il Futuro della Metropoli Mondo", a project proposed and led by Italian architect Stefano Boeri, which aims to draw up an ecological vision for Rome in 2050. The urban regeneration project consists of 12 young architects and urban planners under the age of 35, along with 4 renowned architects as mentors, who collectively have specific experience in terms of studies and research regarding the Italian capital.
The “Reconstructing the Future for People and Planet” Conference, hosted by Bauhaus Earth and the Pontifical Academy of Sciences (PAS), has begun at the Casina Pio IV in the Vatican Gardens. The conference opened with a speech from Ursula von der Leyen, president of the European Commission. The extensive program brings together renowned scientists, architects, spatial planners, and policymakers to discuss the transformation of the built environment from a driver of climatic and societal crises into a force for regeneration.
Spanning over 3 millennia with one of the highest concentrations of architecture in the world, Rome is a transcendental influence on the world's culture. A city rich in history, academia, and arts, the Italian capital is considered as one of the oldest continuously-occupied cities in Europe, and has maintained its countless layers of history to become a perfect depiction of old meets new, earning its nickname of "The Eternal City".
Rome's historic center, which stretches from Piazza del Popolo to Piazza Venezia and from the the east bank of the Tiber up to Piazza di Spagna, is listed as a UNESCO World Heritage Site. Along with its historical significance, the presence of renowned contemporary architects and designers in the city has made Rome an influential design destination. In 2019, it was the 14th most visited city in the world, welcoming over 8.6 million tourists to make it the third most visited in the European Union, and the most popular tourist destination in Italy.
Curated by Spanish architect Izaskun Chinchilla Moreno, Cosmowomen. Places as constellations is an exhibition currently open at La Galleria Nazionale di Roma, Italy. Reflecting on the incorporation of women into architecture, Cosmowomen displays a series of projects developed by 65 Bartlett School of Architecture-alumni women architects from over 20 different nationalities.
Last week, Apple opened its largest store in Europe, housed inside Rome’s 19th century Palazzo Marignoli. Designed by Foster+Partners, Apple Via del Corso celebrates the historic building by revealing its 1890s murals, frescos, and graffiti works from the 1950s, hidden from view for decades. The project creates a juxtaposition between the historical layers, the artwork and the signature minimalist aesthetic of Apple stores.
The Corviale housing complex, located in the south-western periphery of Rome, was designed in the 1970s as a solution to the growing number of dormitory districts in the Roman suburbs, caused by the significant population increase between the 1950s and 1970s - when the population grew from approximately 1.6 million to 2.7 million inhabitants - followed by suburban sprawl.
The project, also known as Serpentone because of its huge proportions, was developed by a team of architects under the leadership of Mario Fiorentino between 1972 and 1974. Construction took place between 1973 and 1982, but the original plan to use the fourth floor of the main building for commercial uses, services, and common areas, was dropped because the contractor went bankrupt. The floor was eventually taken over by informal settlements, and this event is considered to be the root of the problems with this emblematic project in the history of housing in Italy.
The Colosseum will undergo a renovation with a new, retractable floor platform. In ancient Rome, thousands gathered to watch enslaved gladiators, criminals, and wild animals fight to the death. These fighters and caged animals would emerge from the ground through secret tunnels beneath the arena’s wooden and sand-covered floor. Colosseum director Alfonsina Russo told the Times that the plan is to host concerts and theater productions on the new floor.
For this end of the year special roundup, ArchDaily has compiled a selection of Best Unbuilt Architecture, submitted by established and well-known firms. Including conceptual, in progress and, even in some cases, under-construction projects, this curated list covers a wide spectrum of programs and approaches.
From KPF, Sasaki, COOKFOX, and FCBStudios to name a very few, this week’s article highlights worldwide interventions. It actually encompasses a terminal transformation in Manhattan, an integrated mixed-use development in Central Belfast, regeneration of an entire district in Shanghai, and the modernization of the infrastructure at Davis research station in Antarctica.
