Venice Biennale: The Latest Architecture and News

At the 18th International Architecture Exhibition – La Biennale di Venezia, Karin Sander, and Philip Ursprung curated the Swiss Pavilion “Neighbors”. In her interview with Louisiana Channel, Karin Sander talks about expanding the understanding of the pavilion, reimagining the connected role of architecture and art, and explaining her artistic process. “Neighbors” was focused on spatial proximity between the Swiss Pavilion and its Venezuelan neighbor. Sander highlights also the conversation between the two structures, that became possible after the removal of a separating wall.

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Panama presented its pavilion on "Stories Beneath the Water" at the 18th International Architecture Exhibition – La Biennale di Venezia. Curated by Aimée Lam Tunon and Jasper Zehetgruber, the exhibition explored themes of division and integration, with a focus on three different areas within the former Panama Canal Zone. It is an analysis that addresses issues of division and integration: Divisive architectural structures and systems; erased identities of submerged communities; and Barro Colorado Island, critically examining and questioning the overlaps between notions of protection and control.

During their visit to the 18th International Architecture Exhibition in Venice, ArchDaily had the opportunity to engage in a conversation with Sevince Bayrak and Oral Göktaş, founders of the Istanbul-based studio SO? Architecture and Ideas, curators for the Pavilion of Türkiye. Their exhibition, titled Ghost Stories: Carrier Bag Theory of Architecture, explores the status and hidden potential of abandoned buildings across Türkiye to discover more hopeful proposals for the future. The conversations opened with an exploration of the status of these forgotten structures and their hidden potential, leading into the intentions behind the exhibition in Venice and the curator’s message for the wider audience.

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In his book “Curation: The Power of Selection in a World of Excess,” Michael Bhaskar defines curation as “using acts of selection and arrangement (but also refining, reducing, displaying, simplifying, presenting, and explaining) to add value.” Originating from the Latin word curare, meaning to take care of, the curator’s role in dissecting our understanding of the world around us cannot be overlooked. Over time, as the definition morphs into different bodies, the practice of curation continues to evolve, filling the roles of caretakers of our built environment and thinkers of different forms for the overall bettering of society.

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At the 18th International Architecture Exhibition of La Biennale di Venezia, the Pavilion of Slovenia set out to explore the theme of ecology and the paradoxical ways in which architecture relates to it. Instead of understanding it strictly through energy-efficient adaptations like heat pumps or recovery ventilation, the exhibition titled +/- 1 °C: In Search of a Well-Tempered Architecture aims to address the theme holistically. The Pavilion curators Jure Grohar, Eva Gusel, Maša Mertelj, Anja Vidic, Matic Vrabič, together with fifty European architects and creatives, researched and analyzed vernacular buildings from Europe to gain insight into the living example of intuitive adaptations.

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Foodscapes: Spain's Pavilion for the Venice Architecture Biennale 2023, curated by Manuel Ocaña and Eduardo Castillo-Vinuesa, explores the Spanish agro-architectural context to address global issues. It analyzes the past and present of food systems and the architectures that construct them, in order to look towards the future and question other possible models that are capable of feeding the world without devouring the planet.

At the 18th International Architecture Exhibition of La Biennale di Venezia, NEOM has unveiled the “Zero Gravity Urbanism- Principles for a New Livability” exhibition to present the concept and standards guiding the design of the Line, their proposed 170-kilometer-long linear city in north-west Saudi Arabia. The event aims to introduce to the public an alternative vision for urban planning whose compact configuration strives to become a model for the development of more efficient and sustainable cities. Prior to the opening of the exhibition, more than 20 internationally recognized architects and designers joined the design team, including Sir Peter Cook, Massimiliano Fuksas, Jean Nouvel, and Ben van Berkel. The exhibition is open from 20 May to 24 September 2023 at Abbazia di San Gregorio, Venice.

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The Unfolding Pavilion is a recurring exhibition and editorial project by Daniel Tudor Munteanu and Davide Tommaso Ferrando that aims to highlight previously inaccessible but architecturally significant spaces. Now in its fourth edition, the exhibition is dedicated to the Giardini della Biennale, the Venetian garden that became the main location for one of the most important architecture exhibitions worldwide, the Venice Biennale. Through a series of site-specific interventions and photographs by Laurian Ghinițoiu, the Unfolding Pavilion #OPENGIARDINI set out to explore the paradoxical state of this public space that is not publicly accessible.

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Studio KO’s curation of the Uzbekistan Pavilion for the Venice Biennale is based on research, curiosity, workshopping, and experimenting with the senses. For over two years, the studio has worked alongside the Arts and Cultural Development Foundation, designing the Center for Contemporary Arts and their initiatives to restore and rehabilitate vernacular houses, transforming them into artist residencies. While exploring the 18th International Architecture Exhibition onsite in Venice, ArchDaily had the chance to speak with the founders of Studio KO, Karl Fournier, and Olivier Marty, curators of Uzbekistan National Pavilion. Their exhibition for this year’s theme, “The Laboratory of the Future,” focuses on the country’s rich heritage as a potential tool and inspiration for developing a more sustainable future.

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The National Pavilion of Israel presents “Cloud-to-ground,” an immersive installation exploring the nature of modern communication networks at the 18th International Architecture Exhibition of La Biennale di Venezia. The exhibition, curated by Arch. Oren Eldar, Arch. Edith Kofsky, and Hadas Maor, aims to initiate a multifaceted discussion regarding the physical aspects of virtual networks: the data centers and telephone exchanges commonly referred to as “black boxes.” The chosen theme is relevant for Israel due to its strategic location set at the intersection of continents and cultures. The pavilion in the Giardini will remain open for visitors until November 26, 2023.

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At the 18th International Architecture Exhibition of La Biennale di Venezia, The Philippines Pavilion presents an exhibition that investigates the ecology and social implication of the Tripa de Gallina estuary in Manila. The body of water, once a mechanism for flood mitigation, has now become congested and polluted, affecting the lives of the nearby communities. The Pavilion aims to present the initiative that set out to gather and investigate the guts of the estuary and to work with the residents to find adequate and sustainable architectural solutions. Titled “Tripa de Gallina: Guts of Estuary,” the exhibition in Venice is co-curated by Architect Choie Funk and Sam Domingo and presents the work of the Architecture Collective, represented by Bien Alvarez, Matthew Gan, Ar. Lyle La Madrid, Noel Narciso and Arnold Rañada.

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The Office for Political Innovation, led by Andrés Jaque, collaborated with a network of activists and community representatives from Xholobeni (South Africa), experts in seismographs and transduction from Poland, researchers, sound editors, and prop makers to bring a research-based installation at the Arsenale of the 18^th Venice Architecture Biennale. Titled ‘XHOLOBENI YARDS. Titanium and the Planetary Making of SHININESS / DUSTINESS,’ the intervention addresses architecture’s problematic fascination with shininess.

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Italian architect and architecture historian Paolo Portoghesi, the first director of the Venice Architecture Biennale, passed away at the age of 92 in Calcata, Italy, as reported by the organization today, Tuesday, May 30.

On Thursday, May 18, the Government of Mexico, through the Secretariat of Culture, celebrated the inauguration of the Mexican Pavilion at the 18th International Architecture Exhibition of the Venice Biennale 2023, with the proposal "Utopian Infrastructure: The Campesino Basketball Court". The pavilion, which had an investment of 9,059,600 pesos, aims to invite dialogue and play to engage in conversations about the topics that concern the world of architecture in relation to various aspects of social, cultural, and political life.